Temporarily Closed: 1917

Already in James Bond 007: Spectre has exceptional Director with the Illusion of a long, continuous setting in the Intro-sequence experiment. The methodology seemed to him to favor it, because at the time of his world war II Drama in 1917, he pulls you across the entire Film through. This has given the Film a lot of attention, but it is also the reason for the many awards he has win in the past Award season?

CONTENT

On the French Front in the spring of 1917, the British troops on an assault against the retreating troops, a reconnaissance flight makes a momentous discovery. The withdrawal is only apparent, in truth, the enemy is in waiting position, and waiting for the opponent to run into the trap.

To inform the command center, even under heavy fire, decides to get out of lack of Alternatives, two Soldier on foot and without any further support with a message to send Colonel Mackenzie to the said and doomed Offensive to command, in a timely manner. The choice falls on the veterans, William Schofield, and the young Tom Blake, whose brother was also among the prisoners condemned to death at the Front, should not be able to meet both of their dangerous job.

© 2019 Universal Pictures and Storyteller Distribution co., LLC. All Rights Reserved.

CRITICISM

The Film’s underlying Plot structure is surprisingly simple, but understands it nonetheless, or perhaps therefore, from the first to the last Minute to entrain. Because the two men give everything to come in the midst of this terrible war, under the pressure of time to get from A to B, to stumble from one obstacle to the next. The two have hardly stay an opportunity to waste and this is also the reason why the above-mentioned One-Shot method fits so perfectly to this Film.

Even if 1917 is not really in real time expires and it by Using some tricks of the trade, but then creates, within the term of a full day pass to leave, so you as a spectator, but always felt in every Moment of this Odyssey and, just like the protagonists, never to rest to come, because we are behind the next wall or the next ditch, determined an even greater danger awaits. The few quiet moments of the Film uses expertly to give the two, to begin with, hardly established to soldiers, just enough character depth to make them human and understandable.

Also impressive is the degree of attention to detail is in the representation of the first world war. This refers not only to the excellent Set and costume design. Rarely has feels a in this Era of commercial Film as authentic face. Even the way the actors acts speak to each other, antiquated, and simply suitable. But here, too, the ever-present and not to the outlet end of the camera contributes well to do their part to give the Whole thing an extra bit of realism.

© 2019 Universal Pictures and Storyteller Distribution co., LLC. All Rights Reserved.

Also the cast is excellent. Our two protagonists are played by relatively unknown Thespians (George MacKay and Dean-Charles Chapman), in order to clarify your position, as a simple rank and file. The well-known character actor like Colin Firth or Benedict Cumberbatch in the important, but small supporting roles of the officers, who decide in the last instance, on the life and death of the rank and file. to the contrary And they all do their thing very excellent, here too, acts of 1917, as all of a piece.

What makes the Film but in the end, really to see an absolutely remarkable piece of cinema, is not the unusual sequence of the to see, but the stunning images for yourself. Camera genius Roger Deakins has outdone themselves another Time. No one else in the industry understands how to capture beautiful images on Film, regardless of how terrifying the content of the images may be. But the other technical aspects leave little room for criticism here was done in all first-class work. This is also true for the driving Soundtrack, even if in some moments but then a little of Hans Zimmer’s Score to Dunkirk remembered.

© 2019 Universal Pictures and Storyteller Distribution co., LLC. All Rights Reserved.

CONCLUSION

Seen in 1917, strictly as a Narrative, one must admit that the Film is for sure not the wheel of the war film that re-invents. He must also be not, to captivate his audience. He creates a breathless Pacing and the art, grip to make the movie as a single, continuous adjustment act. The appear time and again in films, but has never really fitted previously so wonderful to action. In addition, the never-ending flood of images, is hard to beat, thanks to camera-legend Deakins, brilliance and beauty to. All in all great cinema, not only for followers of the genre, but for all the wonder want, what can be done with a good concept and an even better Team to do everything.